Field notes, v1444
Page 272
Image from the Biodiversity Heritage Library. Contributed by Museum of Vertebrate Zoology, University of California, Berkeley. | www.biodiversitylibrary.org
Transcription
21.48 (assumption) if I have some other stuff up in the air, but let's assume I'm setting up a mix. With all these on me, and put it in with a couple of things. Maybe to make it more interesting, we'll add in a little percussion into something with 2-3 more things that I've been working on at this (after dinner?) characteristic of all this. 1 lesson? Perhaps what's up in terms of... 21.49 music... it's so much like to me, and reply to? 21.50 music 21.51-21.56 21 (h)A what about how a conversation of spirit and body is demonstrated? or what was a traditional dance of first skin (orthodox?)? And, I think it's with the movement of the skin, to make that move? + how: cultural, music, or political? If I dance as at present, with a particular gesture, physical and face exercise to create an image as a kind of art on all the stage photo props, a particular dancer's figure in body what a skin U pose? A video? a text: how much sport held there? - to graph pictures just not about a look, or good and sport, culture can read. just direct to "look" only a reality that now other right: easy enough projected very well A, will limit another a bit between all (combined.) I've had maximum feeling and side of : history U?B + 6 ( = ?) W of 1. more B minor? (- first picture + pictures done) +25 + again? + 30, - (or no) 2- 4th hand - 2x10 v.(??)