Image from the Biodiversity Heritage Library.
Contributed by Smithsonian Institution Archives.
| www.biodiversitylibrary.org
Transcription
Pottery
Hand book of Practical Pottery
for Art Teachers & Students.
Chasement Hall, London.
1903. 2 vol. = 5 sh. each.
Gum arabic, light pencil, India ink,
Decoration.
Underglaze colors.
Camels hair brush
Fat oil of temperature etc.
Hardening in,
Red heat to burn off the oil.
Glazing,
dip or spray on.
dry glaze in wooden tub, pour
in warm water, mix two jars
through 200 mesh. From off
and water, keep in tub lined.
Glaze thickness of milk. Stir
thin while dipping. Dry.
Remove glaze from places
where subjects are to be
placed = saddles.
Steam escapes, cure kiln
2 hrs = hard kiln pencil art etc
1 hr = porcelain enamel colors
Cool in 1 hour.
Glaze. flint 100
ground frit 26.5
Frits china clay 45
flint 20
Paris white 55
bone white 17
corax 78
st me 80
zinc 30
white lead 70
Run glaze.
White lead 160
Cray 32
st me 50
flint 52
10. Z30 8.2 & a Barber
709. T 828, Driggs,
Harfen. 1881 May.
Miss McGaughlin.
Riverton. 1880 foot kiln.
Underglaze color set as new
with specification as possible with-
out complete
red clay Bmore Viera, ?
yellow Ramping Birch ?
cream & white Chattanooga T
NEW only underglaze need.
Painting, printing oil on
linen tissue paper,
orphy rubbed with soft flannel,
& after fingers, plucked off.
underglaze paint washed off.
Majolica = color mixed with
the glaze.