Image from the Biodiversity Heritage Library.
Contributed by American Museum of Natural History.
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Transcription
1 to 2 cm. in diameter and about 2 m. long. The bark and sapwood is
loosened at one end from the heartwood with the teeth and stripped off, the
stick being held with the teeth in successive places as the hands strip off
the exterior. It is then rolled up, bark outside. The next step consists in
cutting across the bark about 4 or 5 inches from the larger end, with a
knife. The bark is from here pulled off from the sapwood, leaving a strip
about 3 to 4 cm. wide and 2 m.+ long, (quite often not over 1 m. long with
the smaller stems.
This (the sapwood) is next rolled up and placed in water. In a short
time it becomes soft and is pounded out flat on a "dundua" or
board.. This varies in width from 12 to 16 inches, up to 7
feet in length and T-shaped in cross section, through thθ
support, of which there are two, one toward each end; rather rounded on top.
Made of buabua (Guettarda speciosa).
The beaters are called "ike" and are from 12 to 15 inches long with
four faces and a handle made of cau (Casuarina) wood. One of the faces is
always without grooves. The others vary in the number and arrangement of
the grooves from two to six or seven. The usual numbers are 3, 4 and 5 and
occasionally 6. Purchased two representative beaters for 2/-.
The process of beating is called samusamu. The bark quickly flattens
out, but must be repeatedly moistened. Several thicknesses are pounded at
once after they have become somewhat flattened out. The final produce is
about 30 inches wide (as made here) and of various lengths. These of course
can be joined together in the beating making sheets of almost any size.
There is practically no carving of kowa (yagona) bowls here, and no
extensive canoe making. The men do carve out "lali" or native drums;
several finished and partly finished ones being scattered about tho village.
They typically are shaped thus: